It’s quite hard to get a nice shot through glass, but with the help of the Lenskirt it’s really is much easier. Same here, with this photo taken from the Tour Monparnasse. You can check out my review of the Lenskirt, to find out more about it.

This is a two shot panorama, taken with the 17mm TSE lens, edited in Lightroom and Photoshop.

I really like all the different vertoramas I took with the Tilt Shift lens under the Eiffel tower. They just make the tower look so huge (which it of course is :))

This is a three shot vertorama, edited in Lightroom and Photoshop.

It’s crazy how busy this interchange right next to the Eiffel tower is. But it’s nice if you want to get some moving cars into your shots. And it worked out even better with a bus :)

This is a two exposure vertorama, with a third exposure used to remove few lens flares causes by the bus. Edited in Lightroom and Photoshop.

I had to add so much noise to the sky here, just to get rid of as much color banding as I could. The lights in the Eiffel tower create quite a strong glow around it, especially with low clouds as there were the evening I took this. I could see the color banding already on the camera screen. It would be so nice if we finally moved to 16-bit images, and of course 16-bit screen, to get rid of this, and make pictures looking so much better.

This is a two shot vertorama, with two additional shots used to darken few highlights on the tower.

In the month I have been using the 17mm TSE, one of the things I learned, was not to do panoramas like this one. Shifting the lens along the longer side creates just so much more distortion, than shifting it along the short one, that it’s just not worth it. On this shot, you don’t see it that much, as the buildings were quite close and are uniform, but once you use it on a wide landscape for instance, it’s very noticeable.

Btw. the other thing I noticed, was, that photos I edited on the Surface Pro 4, look crazy sharp when viewed on my normal monitor. I really wonder why, since I used the exact same way of sharpening I always do.

This is a three shot panorama, taken at La Defense in Paris.