Sunset colors over Prague

A bit more colorful photo today, or better said one with a lot of shades of orange. This was taken sometime back during a very nice sunset over the city. There were no real clouds, but it was overcast and the whole sky became this nice orange. And that changed the color of the whole city with it.

This is a blend from 5 exposures, done in Photoshop.

Now and then

My editing style changed a lot over the years. Mostly I tried to move more towards more realistic and softer edits. Away from the typical grungy style that is associated with HDR photos. I don’t re-edit photos once I finish them, but for today I thought, I try to edit a similar photo to one I did years ago. So I went back and chosen a photo from 2012, where I posted a very similar one. I edited it, and here you can see the result. These two photos were taken minutes from each other, but with 7 years between the edits.

This is a blned of 4 exposures done in Photoshop.

I’m no longer 100% sure how the old one was edited, but I presume it was a HDR from 7 exposures done in Photomatix Pro, that I then finished in Photoshp. You can see the biggest difference on the bridge. I used to pull out a lot of detail in my photos, where now I leave some shadow still there.

Exposure matching

The idea behind exposure matching is to first blend two RAW images together using luminosity masking and then once this is done, go back into the RAW files, and edit them to look more similar. This will result in a photo blend, where all parts are used from the photo that is properly exposed, and also the transitions are clean and not visible.

This is done in Photoshop only, as one needs to use smart objects, to be able to return into the RAW files and edit them. Let’s look at this example on how this would be done with these two photos.

Example blend

1. Open the images in Photoshop as smart objects
You start with the RAW files. Select them and drop them inside photos. Adobe Camera RAW will open, and you can do some initial tweaks, like removing chromatic aberration and lens distortions. Make sure you have all the files selected on the left when doing so, that all the files have the same edits. Once done, click on the open objects button.

Photoshop will open the RAWs in separate files, so drag the layer from one file into the other file, so you have both in the same Photoshop file. You can then close the other one.

2. Blend them together
For this photo, we want to blend the sky from the darker exposure into the brighter one. So arrange the layers, so the darker is on the top. Hide it, add a black mask to it, select a Bright 2 mask, and paint in the parts where the sky is. Detailed explanation on how this is done, can be found in Blending photos using luminosity selections article here.

This is how the file looked once this was done, and how the mask looked like.

3. Edit the RAW files to make them similar
The blending looks fine, but you will quickly notice that the area around the blend lost contrast and it’s a bit grey. This is because when you blend together a dark and bright area, they will average into a medium grey one. So to fix this, we need to make the bright photo darker and the dark photo brighter.

What we don’t want to do, is to affect the areas of the photo, that we are using for the final photo. Let’s first look at the darker exposure, that was used for the sky. For this exposure, I opened the shadows completely. Since that was not enough, I also added a bit of exposure, and then toned down the highlights. This made the shadows even brighter, but had almost no effect on the sky. Now the photo looks much more similar to the blend we want to achieve.

Now we can look at the bright exposure. Here we do the complete opposite. Tone down highlights completely, and then lower exposure and open the shadows a bit. Again, we had very little effect on the dark areas, but we completely recovered the bright ones. Once this is done, we again have a photo similar to the result we want.

Before and after matching

Now let’s look at what the difference is here. This is the final photo before and after matching is applied.

Not much difference on first look, but let’s zoom in a bit.

Now you can see the change. The blend is much better and more natural. There are no grey areas, and the local contrast is restored. Now the photo is ready for additional edits.

Why use this?

You may wonder, why this is better than just recovering the shadows or highlights from a single photo. There are two reasons here. Firstly, you can’t recover them in every photo. Secondly, a sky that was properly exposed from the beginning, will look better and cleaner than a sky that was recovered. Same with shadows or any other part of a photo. A properly exposed area will always look better than one that was recovered.

Clear blue sky at Pont de pierre

I really do very few vertical photos. You may have noticed on this blog, there are not many of them. I just don’t like them. The only exception is when I do a vertorama, and even those are more often in a square format than a portrait one. And they don’t really fit landscapes anyway. But let’s do one of the rare ones I have taken today.

This is a single photo, split into three and then blended back together in Photoshop. I took three photos originaly, but something caused movement of the camera, and they would not align properly. This is the Pont de Pierre in Bordeaux, France, during a very blue hour. No clouds in sight.

Podersdorf lighthouse 4k wallpapers

And here are the 4 new ones. As always, these are available for download in 3840x2160px resoulution.